1.0EUR’ARThttps://www.eurart.eu/en/celinehttps://www.eurart.eu/en/author/celine/rich600338<blockquote class="wp-embedded-content" data-secret="xq5NsbJ3uj"><a href="https://www.eurart.eu/en/leonard-qylafi/">Leonard QYLAFI</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.eurart.eu/en/leonard-qylafi/embed/#?secret=xq5NsbJ3uj" width="600" height="338" title="“Leonard QYLAFI” — EUR’ART" data-secret="xq5NsbJ3uj" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.eurart.eu/wp-includes/js/wp-embed.min.js </script> Léonard QYLAFI, Albania Unloaded (Rape of Europa ), 2024, 95 x 110 cm, Oil on canvas Unloaded, is a series of paintings I have been working on in recent years that are paintings based on images sourced from digital media. They are based in particular on screenshots captured while browsing that capture the moment of the image loading from blurry to actual image. In this process what interests me is the relationship we have with images, how we think of them and interact. For